His presence on stage doesn’t seek inclusion or approval: it reveals the shift in cultural power in the United States
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| Bad Bunny hosting SNL last night |
Substack
What really bothers them isn’t that Bad
Bunny sings in Spanish. Or even that he sings at all. What they truly can’t stand
is that he does it from a place of power.
The rage from MAGA supporters, the
“anti-woke” warriors, the ones shouting “speak English” from their
digital bunkers—it really has nothing to do with music. It’s about power. Or
more precisely, about losing it. While they cling to a version of the
United States that no longer exists, the world—their world—is already moving to
another language, another beat, another body. And that drives them mad.
It enrages them that it’s a Puerto Rican doing it, someone coming from that Caribbean colony. One they can desecrate however they want, whenever they want, but one that exists, reaffirms itself, and projects outward. And that drives them insane.
There was a time when a Latino had to “cross over.” You had to sing in English, soften your accent, translate yourself. Ironically, it was another Puerto Rican—Ricky Martin—who opened those doors the most. He followed the path paved by many before him, like José Feliciano or Raúl Juliá, just to name a few. But it was Ricky who broke the backbone that made a true “crossover” possible, something not even the Miami Sound Machine had achieved before. That iconic 1999 Grammy performance of Ricky Martin still lingers in the collective memory and left a lasting impact. https://youtu.be/KwJGfl68Rsg?si=znpkujVj7VQ3WA0z
From that moment came the “Latin boom”
that opened doors for many—Shakira, JLo, J Balvin, and countless others—but now
it’s different.
Now the path is reversed: it’s the
mainstream crosses into reggaetón, into the Caribbean, into something that
doesn’t need white approval. Bad Bunny didn’t set out to conquer America.
America came to him. And he never asked for subtitles.
That’s not
inclusion. That’s domination.
What we saw last night on Saturday
Night Live wasn’t just a performance. It was a rupture, a glitch in the
system. A guy who isn’t a trained actor, isn’t a comedian, doesn’t force a
smile, doesn’t beg to be liked. And yet, he captivates. Because Bad Bunny
doesn’t try to fit in. He occupies space. And somehow, that’s more than enough.
https://youtu.be/A0Pt7qHpWNg?si=aVXiPpRUMPp-d7J2
That’s why SNL wants him. That’s why the
NFL needs him. Because both institutions are aging poorly, losing audience, their
spark, and pulse. And here comes this Puerto Rican who, without even trying,
becomes their cultural oxygen mask. What looks like a golden ticket for him is,
in truth, a lifeline for them.
And that stings. Because it completely flips the
hierarchy: it’s no longer the artist who needs the system. It’s the system that
needs the artist to survive.
This also annoys people in Puerto Rico who profit
from maintaining the colony and keeping people controlled and robotic—but in
Trump’s America and among the MAGA crowd, this creates a crisis.
They call him “dangerous,” but they book him. They
criticize him, but they stream him. They complain they don’t understand him, yet
they play him anyway. Because deep down, they know their language is no longer
the one in charge. It’s Bad Bunny’s.
This
isn’t the story of a Latino who finally “arrived.” It’s the story of an America
that quietly slipped away.
Bad Bunny doesn’t stand for inclusion. He stands
for what comes after. He doesn’t sneak in through the service door of American
entertainment. He arrives on a throne, without changing his language, without
slowing his rhythm, without giving up a thing. And that’s why they rage.
Because the future no longer translates the present for them. Because, deep
down, they know the song isn’t meant for them.
And here’s the most
radical part: Bad Bunny probably doesn’t even care. He doesn’t want to please.
He doesn’t want to integrate. He just wants to exist. And in a country where
“others” have always had to ask for permission, his simple presence is already
a declaration of independence.

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